Track not present in AccurateRip databaseįilename C:\Users\Marcus\Downloads\WHAT.CD\Freddie Gibbs & Madlib - Piñata (Limited Edition) (2004) \02 Scarface.wavįilename C:\Users\Marcus\Downloads\WHAT.CD\Freddie Gibbs & Madlib - Piñata (Limited Edition) (2004) \03 Deeper.wavįilename C:\Users\Marcus\Downloads\WHAT.CD\Freddie Gibbs & Madlib - Piñata (Limited Edition) (2004) \04 High (Feat. Used output format : User Defined EncoderĬommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeĪdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%-tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% Gap handling : Appended to previous track Used interface : Native Win32 interface for Win NT & 2000 Null samples used in CRC calculations : Yes Used drive : MATSHITADVD-RAM UJ8C2 Adapter: 0 ID: 0įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No August 2011ĮAC extraction logfile from 19. With Piñata, Gibbs confirms that he is anything but average.Exact Audio Copy V1.0 beta 3 from 29. This is because mentally, he s still on the corner hustling, which would be the downfall of the average rapper. As a producer, Madlib, quite simply, is music, and ten years into his career a time when other artists become comfortable Gibbs remains restless, focused, with an eye on the competition and their position relative to his ascent. "Deeper," a Gibbs favorite and the third single from the album after "Thuggin'" (2012) and "Shame," (2013) is an ode to hip-hop in the mold of Common's "I Used to Love H.E.R." "High," featuring Danny Brown, is self-explanatory and just what you would expect from Gibbs, Madlib and one of Detroit's finest while on "Real," Gibbs addresses an old score just as Michael Corleone settled all family business on baptism day. On Piñata, where Gibbs can shift from textbook lessons in robbing and drugging on trackslike "Scarface" and "Knicks," to perhaps the album's most personal song, "Broken," a collaboration with Scarface, who, along with Tupac, DMX and 50 Cent, make up the rapper's own Mount Rushmore of MCs ("You re getting a hurricane of all those motherf&%kers hitting you at once when you listen to Freddie Gibbs," he says). Simpson with Detroit's Guilty Simpson, the pairing is unique as it is the first time for Gibbs working with just one producer.
#Freddie gibbs pinata zip file series
While this is the latest in a series of single-artist collaborations for Madlib, after Jaylib (J Dilla), Madvillainy (MF Doom) and the street-centric O.J.
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Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries. Piñata is "a gangster Blaxploitation film on wax," says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previously best known for producing Michael Jackson. Piñata, a 17 track collaboration with producer Madlib, is the best distillation yet of his transparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer. Freddie Gibbs is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona.
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